Real talk…I took forever to decide what I wanted to be in my maybes list for November. Going from a month where I save countless books to be read in it left me a little lost with what a wanted to pick up next.
I rolled over a bunch of reads from last month, grabbed some nonfiction, and a few publisher copies I’m thrilled to check out and here we are! This stack has so many good possible reads in it and I’m excited to choose from them this month.
I don’t intend to be able to read all of these because I’m not that fast of a reader. My days going in to the office just increased, so I’m hoping to add more audio back into my life!
See anything you want to read? Anything you’ve already read?
KILL CREEK by Scott Thomas: At the end of a dark prairie road, nearly forgotten in the Kansas countryside, is the Finch House. For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests…
When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country’s most infamous haunted houses, he reluctantly agrees. At least he won’t be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.
FALLEN ANGELS (Varg Veum #8) by Gunnar Staalesen: When Bergen PI Varg Veum finds himself at the funeral of a former classmate on a sleet-grey December afternoon, he’s unexpectedly reunited with his old friend Jakob – guitarist of the once-famous 1960s rock band The Harpers – and his estranged wife, Rebecca, Veum’s first love.
Their rekindled friendship is thrown into jeopardy by the discovery of a horrific murder, and Veum is forced to dig deep into his own adolescence and his darkest memories, to find a motive … and a killer.
THE STONE SKY (The Broken Earth #3) by N.K. Jemisin: This is the way the world ends… for the last time.
The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.
Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.
For Nassun, her mother’s mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.
WATCH OVER ME by Nina LaCour: Mila is used to being alone. Maybe that’s why she said yes to the opportunity: living in this remote place, among the flowers and the fog and the crash of waves far below.
But she hadn’t known about the ghosts.
Newly graduated from high school, Mila has aged out of the foster care system. So when she’s offered a job and a place to stay at a farm on an isolated part of the Northern California Coast, she immediately accepts. Maybe she will finally find a new home, a real home. The farm is a refuge, but also haunted by the past traumas its young residents have come to escape. And Mila’s own terrible memories are starting to rise to the surface.
Watch Over Me is another stunner from Printz Award-Winning author Nina LaCour, whose empathetic, lyrical prose is at the heart of this modern ghost story of resilience and rebirth.
LEAVE THE WORLD BEHIND by Rumaan Alam: Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older black couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe.
Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one another?
Suspenseful and provocative, Rumaan Alam’s third novel is keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis.
THE TALENTED MISS FARWELL by Emily Gray Tedrowe: At the end of the 1990s, with the art market finally recovered from its disastrous collapse, Miss Rebecca Farwell has made a killing at Christie’s in New York City, selling a portion of her extraordinary art collection for a rumored 900 percent profit. Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make.
But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller.
No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable.
But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life?
MAGPIE MURDERS (Susan Ryeland #1) by Anthony Horowitz: When editor Susan Ryeland is given the manuscript of Alan Conway’s latest novel, she has no reason to think it will be much different from any of his others. After working with the bestselling crime writer for years, she’s intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.
Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.
THE LUMINOUS DEAD by Caitlin Starling: When Gyre Price lied her way into this expedition, she thought she’d be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She also thought that the fat paycheck—enough to get her off-planet and on the trail of her mother—meant she’d get a skilled surface team, monitoring her suit and environment, keeping her safe. Keeping her sane.
Instead, she got Em.
Em sees nothing wrong with controlling Gyre’s body with drugs or withholding critical information to “ensure the smooth operation” of her expedition. Em knows all about Gyre’s falsified credentials, and has no qualms using them as a leash—and a lash. And Em has secrets, too . . .
As Gyre descends, little inconsistencies—missing supplies, unexpected changes in the route, and, worst of all, shifts in Em’s motivations—drive her out of her depths. Lost and disoriented, Gyre finds her sense of control giving way to paranoia and anger. On her own in this mysterious, deadly place, surrounded by darkness and the unknown, Gyre must overcome more than just the dangerous terrain and the Tunneler which calls underground its home if she wants to make it out alive—she must confront the ghosts in her own head.
But how come she can’t shake the feeling she’s being followed?
THE CORAL BRIDE (Detective Moralès #2) by Roxanne Bouchard: In this beautiful, lyrical sequel to the critically acclaimed We Were the Salt of the Sea, Detective Moralès finds that a seemingly straightforward search for a missing fisherwoman off Quebec’s Gaspé Peninsula is anything but …
When an abandoned lobster trawler is found adrift off the coast of Quebec’s Gaspé Peninsula, DS Joaquin Moralès begins a straightforward search for the boat’s missing captain, Angel Roberts – a rare female in a male-dominated world. But Moralès finds himself blocked at every turn – by his police colleagues, by fisheries bureaucrats, and by his grown-up son, who has turned up at his door with a host of his own personal problems.
When Angel’s body is finally discovered, it’s clear something very sinister is afoot, and Moralès and son are pulled into murky, dangerous waters, where old resentments run deep.
RING SHOUT by P. Djeli Clark: Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns with Ring Shout, a dark fantasy historical novella that gives a supernatural twist to the Ku Klux Klan’s reign of terror.
D. W. Griffith is a sorcerer, and The Birth of a Nation is a spell that drew upon the darkest thoughts and wishes from the heart of America. Now, rising in power and prominence, the Klan has a plot to unleash Hell on Earth.
Luckily, Maryse Boudreaux has a magic sword and a head full of tales. When she’s not running bootleg whiskey through Prohibition Georgia, she’s fighting monsters she calls “Ku Kluxes.” She’s damn good at it, too. But to confront this ongoing evil, she must journey between worlds to face nightmares made flesh–and her own demons. Together with a foul-mouthed sharpshooter and a Harlem Hellfighter, Maryse sets out to save a world from the hate that would consume it.
THE LAST SEANCE by Agatha Christie: For lovers of the supernatural and the macabre comes this collection of ghostly and chilling stories from legendary mystery writer Agatha Christie. Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these tales.
The Last Séance gathers twenty stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.
THE HAUNTING OF ASHBURN HOUSE by Darcy Coates: Everyone knows about Ashburn House. They whisper its old owner went mad, and restless ghosts still walk the halls. But when Adrienne–desperate and in need of a place to stay–inherits the crumbling old mansion, she only sees it as a lifeline…until darkness falls.
Strange messages are etched into the walls. Furniture moves when she leaves the room. And a grave hidden in the depths of the forest hints at a terrible, unforgivable secret. Something twisted lives in her house, its hungry eyes ever-watchful. Chasing the threads of a decades-old mystery, it isn’t long before she realizes she’s become prey to something deeply unnatural and intensely resentful.
She has no idea how to escape. She has no idea how to survive. Only one thing is certain: Ashburn’s dead are not at rest.
ON WRITING by Stephen King: Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King. Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have. King’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999 – and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it – fans, writers, and anyone who loves a great story well told.
AMERICA’S FIRST FEMALE SERIAL KILLER by Mary Kay McBrayer: America’s first female serial killer was not always a killer. America’s First Female Serial Killer novelizes the true story of first-generation Irish-American nurse Jane Toppan, born as Honora Kelley. Although all the facts are intact, books about her life and her crimes are all facts and no story. Jane Toppan was absolutely a monster, but she did not start out that way.
When Jane was a young child, her father abandoned her and her sister to the Boston Female Asylum. From there, Jane was indentured to a wealthy family who changed her name, never adopted her, wrote her out of the will, and essentially taught her how to hate herself. Jilted at the altar, Jane became a nurse and took control of her life, and the lives of her victims.
BURIED BENEATH THE BOARDING HOUSE by Ryan Green: In 1988, detectives from the Sacramento Police Department were called to investigate the disappearance of a man at his last known address, a boarding house for the elderly, homeless and mentally ill. The owner, Dorothea Puente, was an adorable old lady who cared for stray cats and the rest of society’s castaways. She had a strong standing in the community and was celebrated for her selfless charitable work.
The search revealed nothing untoward but one of the guests recalled some unusual incidents leading up to the disappearance. He shared stories about holes being dug in the garden and filled in overnight. Guests who were taken ill and vanished overnight, and a number of excuses why they couldn’t be contacted. This was enough to launch a thorough investigation and on 11th November 1988, the Sacramento Police Department headed back to the boarding house with shovels in hand.
Were they wasting their time pursuing a charming and charitable old lady or were they closing in on a clandestine killer who exploited the most vulnerable members of society? The investigation gripped the entire nation and the answers lay Buried Beneath the Boarding House.
Ryan Green presents a dramatic and chilling account of one of the most bizarre true crime stories in American history. Green’s riveting narrative draws the reader into the real-live horror experienced by the victims and has all the elements of a classic thriller.
THE ARREST by Jonathan Lethem: The Arrest isn’t post-apocalypse. It isn’t a dystopia. It isn’t a utopia. It’s just what happens when much of what we take for granted—cars, guns, computers, and airplanes, for starters—quits working. . . .
Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn’t hurt.
Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her organic farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Todbaum has spent the Arrest smashing his way across a fragmented and phantasmagorical United States, trailing enmities all the way. Plopping back into the siblings’ life with his usual odious panache, his motives are entirely unclear. Can it be that Todbaum wants to produce one more extravaganza? Whatever he’s up to, it may fall to Journeyman to stop him.
Written with unrepentant joy and shot through with just the right amount of contemporary dread, The Arrest is speculative fiction at its absolute finest.
THEME MUSIC by T. Marie Vandelly: For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter.
Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making.
In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.
WE KEEP THE DEAD CLOSE by Becky Cooper: 1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious 23-year-old graduate student in Harvard’s Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.
Forty years later, Becky Cooper, a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she’d threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a “cowboy culture” among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims.
We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman’s past onto another’s present, and a love story for a girl who was lost to history.
Disclosure: A huge thank you to William Morrow, Ecco Books, and Grand Central Publishing for sending me free copies of these books in exchange for my honest review.
Disclosure: What Jess Reads is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. This in no way influences my opinion of the above book.